Part 2 Chapter 05

Examples

How the Navix identity works in practice – and how the visual building blocks together create a consistent, recognisable expression.

A Deep Sea Blue Navix tote bag with green handles and the negative logotype, hanging on a white chair against a concrete wall.

How to read this chapter

Every example is built from the same few parts. The markers show which building block is at work – and where.

Select a note to highlight it in the image, or open any image at full size. Each tag links to the guidelines for that element.

05.1 Events

Exhibition material

At a trade fair, the stand is often the first encounter with Navix. Large formats need few elements: the logotype placed high, the main message, generous imagery and colour fields that read from a distance.

01.Exhibition stand

02.Roll-up banners

05.2 Events & offices

Digital screens

On large screens, motion and scale do the work. Keep the layout to a moving image, the logotype and one message – and let the image breathe.

  • Logotype Negative logotype on Deep Sea Blue, top right.
  • Typography Two levels of type: a bold line and an italic serif accent.
  • Cut corner The video frame carries the cut corner.
  • Imagery People in conversation – the close side of the image concept.

05.3 Print

Business cards

The business card is small but complete: logotype, colour, the Loadline and both typefaces on 85 × 54 mm. Always use the template – only names and contact details change.

01.Front and back

02.Edge detail

Ordering new cards? Start from the InDesign template.

Business card template

05.4 Signage & details

Material-adapted logotype

In glass, metal and textile, the logotype adapts to the material – frosted, recessed, engraved or embroidered. Colour may give way to texture, but the shape is never altered.

One shape, every material.

01.Glass

Logotype The full logotype in frosted film – at architectural scale, no colour is needed.

02.Metal

  1. Logotype The logomark only, recessed into brushed gold – the shape is reproduced exactly.

03.Details

  1. Logotype The logomark engraved – the symbol works where the wordmark would be too small.

05.5 Profile products

Merchandise

On products, the logotype is applied with restraint: one clear placement, quality materials and colours from the palette. Deep Sea Blue is the natural base.

  1. 01.Tote bag

    Negative logotype, centred; green handles as the accent.

    • Logotype
    • Colour
  2. 02.Water bottle

    The Loadline wraps the bottle above a Brand Red base.

    • Loadline
    • Colour
  3. 03.Polo shirt

    The logomark only, embroidered in Brand Green on the chest.

    • Logotype
  4. 04.Caps

    A tone-on-tone mark on the front; the main message on the side.

    • Logotype
    • Typography
Scroll sideways

05.6 Web & social

Digital

Online is often where people meet the identity first. The website and LinkedIn share the same elements: moving imagery, the main message, Digital Green for calls to action and a calm, generous layout.

01.Website

  • Typography “Performance” set in DM Serif Italic, in Digital Green.
  • Colour Digital Green reserved for the call to action.
  • Loadline The Loadline runs along the bottom edge of the hero.

02.LinkedIn page

  • Logotype The logomark on Deep Sea Blue – legible at avatar size.
  • Typography The main message as the page tagline.

03.LinkedIn post

  • Typography The main message over the image – bold sans with a serif accent.
  • Imagery Close: people, focus and collaboration.